StillPaisleyCat

joined 2 years ago
[–] StillPaisleyCat@startrek.website 3 points 4 months ago (1 children)

The costuming is from the same design language and it was lame for the 1980s if passable in the 70s.

[–] StillPaisleyCat@startrek.website 2 points 4 months ago (3 children)

It was a recycle two—for-one: The costuming overlapped on that one, the plot recycling was saved for the equally eye-rolling ‘Angel One’ where

In this episode, an away team visits a world dominated by women to search for survivors of a downed freighter, while the crew of the Enterprise suffer from the effects of a debilitating virus.

[–] StillPaisleyCat@startrek.website 4 points 4 months ago (7 children)

Sorry, it really looked and played too much like the scenario in Roddenberry’s 2nd failed ‘Dylan Hunt’ pilot ‘Planet Earth’ (1974).

Roddenberry never left any idea unrecycled, but John Saxon looked better as eye candy.

Diana Muldaur looked better in the X-cross get-up too.

[–] StillPaisleyCat@startrek.website 5 points 4 months ago* (last edited 4 months ago)

This is also raising questions of foreign interference/influence in democratic process.

In Canada, the federal Elections Commissioner has been called on to investigate the source of bot campaigns for the leading opposition party: Online bot campaign backing Pierre Pollievre prompts call for probe.

OP has tagged Canada but it’s not shown in the plot.

[–] StillPaisleyCat@startrek.website 4 points 4 months ago (1 children)

Closer to 15 years younger unfortunately since Matelas insisted that it was still 2501. The makeup and cinematography unfortunately made him look closer to 40 at times. UHD can be very unforgiving but EPs casting are in denial.

Speleers has made public that he read for the part of Jim Kirk for SNW, and I can really see how that would have worked.

[–] StillPaisleyCat@startrek.website 5 points 4 months ago (5 children)

Season 3 of Picard is more than a decade after Prodigy season 2. If a person can’t grown their hair out in 14+ years they need more than a follicle stimulator.

But the scene did drive home that Ed Speleers looked incredibly old in 2501 for a child that was just gurgling when Westley visited in Prodigy season 2.

I found it interesting that in recent articles quoting Kate Mulgrew on her conditions for Janeway to return in live action, the thing she most stressed was that she had told Alex Kurtzman that the quality of the writing would have to be meticulous.

She’s very happy with the writing for Janeway in Prodigy but sounds like she needs to be convinced that it would be the same in live action.

[–] StillPaisleyCat@startrek.website 3 points 4 months ago (1 children)

Have to disagree on Lower Decks.

Longtime fans keep putting forward the inference, based on their knowledge of the franchise, that Lower Decks won’t work for those who don’t get the references.

But the data keeps squashing that hypothesis.

There is a significant group of younger millennials and Zs that got into the franchise via Lower Decks. They’re the target market of viewers of ‘adult animated comedy’ and the format/media rather than the Easter eggs are the hook for them.

On other platforms, you hear a lot from them, as well as from Trek fans who say they got their housemates, BF/GF or siblings into the franchise by watching Lower Decks with them.

If the show weren’t limited to a platform that’s otherwise offering little for their niche, it would have had more success. But Paramount+ just doesn’t have enough in that niche to make it worth subscribing to for them.

[–] StillPaisleyCat@startrek.website 3 points 4 months ago (3 children)

Old timer here. It’s easy to be a completionist when you do it over decades.

Just watched them all as they came out for the most part, after starting somewhere mid season one of TOS. With the reruns, I was soon caught up.

But I always argue strongly that whatever show grabs someone most is the best place to start for them. There’s no ‘best’ way and some of the shows reach different demographics better or worse.

Our teenage kids have never made it through every episode of TOS or Enterprise, and balk at DS9. Each has watched every episode of at least one of the newer shows, but not the same ones. But they find different ones more interesting as they mature.

[–] StillPaisleyCat@startrek.website 3 points 4 months ago (1 children)

I have thought ‘Move Along Home’ was great since first broadcast.

DS9 hadn’t yet locked into its eventual tone, but I hold to my view that it’s an episode that wouldn’t have raised the ire of the ‘Dignity of Trek’ on just about any of the other shows in the franchise.

Congratulations on completing them. Nice results sincerely.

 

Here’s something to fill some gaps in your viewing schedule. While not science fiction, this show could appeal to SNW fans and deserves a bigger audience.

SurrealEstate is a Canadian live-action supernatural drama with a light leavening of horror, produced for CTV Sci-Fi Channel, and picked up Syfy. The first season also ran on Hulu in the US after its linear run. It was canceled by Syfy US, then uncanceled when it got picked up by the Syfy channels in Europe.

It’s quirky, full of gentle ironic humour, in the way Canadian shows can be. Tim Rozon of Wynonna Earp stars along with Sarah Levy of Schitt’s Creek. Melanie Srofano (Captain Betel in SNW) directed two episodes in the first season and was reportedly back to do more.

Similar to SNW, SurrealEstate mainly episodic with light serialization coming from character arcs. It has a generally positive vibe, with a team of intriguing and diverse characters solving mysteries and clearing houses of supernatural detractions so that they can ‘achieve their true market value.’

From the season one promotional listing:

Real estate agent Luke Roman is the owner of The Roman Agency, a boutique residential real estate brokerage specializing in "metaphysically engaged" properties, also known as haunted houses. Luke has a special connection to the spiritual realm; he can not only sense the presence that might inhabit a client's house, he can often communicate and negotiate with it. Along with his team, Luke takes on the houses nobody else can or will.

If you haven’t seen season one, I firmly recommend catching it on demand on CTV (which is offering it currently offering it free to non-subscribers), on the Syfy app or on Hulu.

 

What can I say, all that pink and purple just seems to be meant to be together.

Credit again to Trek Core for their excellent TAS BlueRay screencap library.

Editing to add: love Barbie, pleased to see the movie out earning most of the comic heroes, always glad that TAS and Prodigy make themselves appealing across genders.

 

Looking forward to this ‘Picard’ tie-in novel telling the backstory of how Seven joined the Fenris Rangers.

Mack says he’s submitted front matter with starcharts. I love that kind of stuff.

 

Bruce Horak (Hemmer) is a long-standing theatre performer. He and some longtime colleagues have come up with an innovative and eccentric Goblin: MacBeth.

Beyond its initial run in Bruce’s hometown of Calgary, the production is scheduled for a two week run at the Stratford Festival in October and is just starting a run at Vancouver’s Bard on the Beach festival.

From the Stratford Festival listing…

"Goblin:Macbeth is a blast of pure creative genius. Unpredictable, unrestrained and uninhibited, it is the stage equivalent of a theme park funhouse ride." Calgary Herald

Enjoy the Scottish play like never before with Goblin:Macbeth, coming to the Meighen Forum!

In a tale of three goblins stumbling upon the complete works of William Shakespeare, Rebecca Northan, Bruce Horak and Ellis Lalonde blend improvisation, fantasy and tragedy in an electrifying and fresh interpretation of the classic play. When goblins come to the Stratford Festival, anything can happen!

 

This is very off topic for a Star Trek focused instance, but I thought some of the Quark’s regulars might be interested in the public interest issues raised in this situation.

For context, the Canadian federal Parliament passed legislation that would tax very large internet aggregator platforms that monetize news links without entering into payment arrangements with news sources. The law is not yet in effect, and the regulations make that work that haven’t even been put out for formal public consultation (a lengthy process). Meta and X have proactively blocked links to anything they believe are Canadian news sites. This includes access to the Canadian Parliamentary Access Channel (CPAC) and the national public broadcaster CBC and other private sources that are carrying required emergency broadcasts.

cross-posted from: https://startrek.website/post/967873

The NWT government and city of Yellowknife are describing in tweets, Instagram messages etc. how to search key evacuation information on CPAC and CBC. The broadcast carriers have a duty to carry emergency information, but Meta and X are blocking links.

While internet access is reportedly limited in Yellowknife, residents are finding this a barrier to getting current and accurate information. Even links to CBC radio are blocked.

 

The NWT government and city of Yellowknife are describing in tweets, Instagram messages etc. how to search key evacuation information on CPAC and CBC. The broadcast carriers have a duty to carry emergency information, but Meta and X are blocking links.

While internet access is reportedly limited in Yellowknife, residents are finding this a barrier to getting current and accurate information. Even links to CBC radio are blocked.

 

This is interesting, and perhaps a signal of some evolving thinking between Sheri Redstone and Baklish.

 

Some interesting details mixed in this assessment. Since there’s been relatively little promotion, thought others would appreciate the amplification.

 

In the midst of Barbie-pink dominance, TAS would like a word.

Star Trek’s own home of pink, purple and lime green has something to say.

 

This is a great interview with some significant behind the scenes perspective, and affirmation that fan advocacy is having an impact.

KEVIN: When interested parties with offers come forward, we’re going to be a part of that conversation. . . All we know at our level right now is that there’s active talks happening, right now. . .

** TREKCORE: What can Prodigy fans do to support the efforts that might be happening behind the scenes?**

DAN: I think they’re doing exactly what they —

KEVIN: They’re doing more!

DAN: More than we ever asked for, or expected.

KEVIN: All the noise they’re making out there is fantastic. I don’t think that telling Paramount+ to pick us back up again is going to happen; I think they’ve made their choice. Now it’s about telling Amazon, Netflix, Hulu, or whoever that “Hey, here’s a great freaking show!”

DAN: Just tell people about the show! Because I think Prodigy looks like one thing from an outsider’s perspective — it could look like a young show, or a show that someone might not be into. But when people say “There’s some great storytelling in there!” or “You don’t even need to have children to enjoy Prodigy…”

KEVIN: Spread the word, it’s an all-ages show.

 

John Orquiola is continuing to give us solid original content on Screen Rant, defying my perception of it as a clickbaity outlet.

Christina Chong opens up a lot about her trajectory as a performer and her personal relationships that informed the 4 songs on the EP album.

Also noted for those who prefer physical media - she is selling CDs through her Spotify store. Copies are limited.

 

And people wonder why the Titan-A’s holodeck Ten Forward program ran when the ship was power rationed…Or, how many space anomalies does it take before Starfleet mandates failsafes?

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