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The Government diverted £136m away from its electric vehicle (EV) supply chain fund to the UK’s main nuclear reactor project Sizewell C, i can reveal.

The Automotive Transformation Fund, a Government initiative designed to make it easier for car manufacturers to build and develop electric vehicles in the UK, spent just 5 per cent of its initially allocated funding in the year to March 2023, according to Government documents seen by i.

Given an initial budget of £191m, just £7m was spent and 76 per cent of the funding arrangement was transferred to the Sizewell C project, the construction of the UK’s first new nuclear power station in more than 30 years.

High pressure forecast to raise temperatures to 48C as hot weather sweeps Spain, France, Germany and Poland

Having moved to London in 1987, the single was the band's first release upon returning to New Zealand and changing their name from the Dance Exponents to the Exponents. The song was written by Jordan Luck in London in 1989, with the group returning to New Zealand in November 1990 and signing to PolyGram Records New Zealand.

"(We Don't Need This) Fascist Groove Thang" is a song by British synth-pop band Heaven 17. It was their debut single, released on 6 March 1981, and the lead single from their debut studio album, Penthouse and Pavement (1981). It was a minor hit in the UK in 1981, despite being banned by the BBC. It was also a minor dance hit in the US. It developed from an instrumental, "Groove Thang", that Martyn Ware and Ian Craig Marsh created earlier that year for Music for Stowaways, an album they released as British Electric Foundation.

With European deliveries starting by the end of this summer, the ET5 Touring is expected to be one of the first cars Nio brings to the UK – although not yet officially confirmed, the brand is expected to launch here in 2024 – along with the ET5 saloon.

One of the handy options on relay for reddit was the option to blur the thumbnails of NSFW images

For those of you that have never heard of him

Peel was one of the first broadcasters to play psychedelic rock and progressive rock records on British radio. He is widely acknowledged for promoting artists of multiple genres, including pop, dub reggae, punk rock and post-punk, electronic music and dance music, indie rock, extreme metal and British hip hop. Fellow DJ Paul Gambaccini described Peel as "the most important single person in popular music from approximately 1967 through 1978. He broke more important artists than any individual."

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