Ask Lemmy
A Fediverse community for open-ended, thought provoking questions
Please don't post about US Politics.
Rules: (interactive)
1) Be nice and; have fun
Doxxing, trolling, sealioning, racism, and toxicity are not welcomed in AskLemmy. Remember what your mother said: if you can't say something nice, don't say anything at all. In addition, the site-wide Lemmy.world terms of service also apply here. Please familiarize yourself with them
2) All posts must end with a '?'
This is sort of like Jeopardy. Please phrase all post titles in the form of a proper question ending with ?
3) No spam
Please do not flood the community with nonsense. Actual suspected spammers will be banned on site. No astroturfing.
4) NSFW is okay, within reason
Just remember to tag posts with either a content warning or a [NSFW] tag. Overtly sexual posts are not allowed, please direct them to either !asklemmyafterdark@lemmy.world or !asklemmynsfw@lemmynsfw.com.
NSFW comments should be restricted to posts tagged [NSFW].
5) This is not a support community.
It is not a place for 'how do I?', type questions.
If you have any questions regarding the site itself or would like to report a community, please direct them to Lemmy.world Support or email info@lemmy.world. For other questions check our partnered communities list, or use the search function.
Reminder: The terms of service apply here too.
Partnered Communities:
Logo design credit goes to: tubbadu
view the rest of the comments
That's a great take of the movie! Although she could have gone back to hypersleep in the end but decided against it, presumably because she had a glimpse of how he must have felt when she thought he was dead. So she definitely feels genuinely something for him in the end. I think the movie could have benefited from a short montage of their decades together on the ship in the end, sort of like how UP started.
I know thats the Hollywood desired take, but if we're looking at the more realistic gritty vision we see a darker answer to Jennifer Lawrence's character.
Since there was only one capsule that could put someone back to sleep, she could choose to save herself. However, she knows that she would have left the psychopathic murderer of Chris Pratt's character to run wild for a few more years before he would wake up someone else when he gets lonely again. There is no second pod that could put someone back to sleep. She could have murdered him, then used the medical pod to go back to sleep, but then she too would take on and share Pratt's "murderer" title.
So she sacrifices herself in the only way that no one else but her will die. She resigns herself to the hell of a life with Pratt's character.
That's definitely an interesting take on it, but I don't think the movie as it is represented supports it. I agree that making Chris Pratt's character into a psychopath would also made for a good movie, even a superior one. But that's obviously not the movie that was being made.