HelterSkeletor

joined 1 year ago
[–] HelterSkeletor@lemmy.world 2 points 1 week ago (1 children)

I mentioned in another comment- I used a liquid masking fluid to cover the 2 smaller birds, the broom head, and the radio. Really helps with clean even washes when you can ignore those inconvenient areas and lay down some paint freely.

Thank you so much for the comment.

[–] HelterSkeletor@lemmy.world 2 points 1 week ago

No, I masked the area with frisket. I actually would have used white gel but I was masking other areas anyway.

Thanks! Appreciate it :)

[–] HelterSkeletor@lemmy.world 2 points 1 week ago

Yeah thank you so much. A lot of thought went into the textures on the coat actually. I know they use a couple different methods for their art, it's all absolutely beautiful. One day I might mess around with gouache, I believe it's what they primarily use.

[–] HelterSkeletor@lemmy.world 3 points 1 week ago

Thanks! Posted over there, appreciate the suggestions!

 

Had fun with this one, itching for something from Howl's next.

[–] HelterSkeletor@lemmy.world 2 points 2 weeks ago

Thank you, I decided to paint almost entirely wet on wet to capture the softness of babies but I worry it's a bit blotchy. Appreciate the comment.

 
[–] HelterSkeletor@lemmy.world 2 points 2 weeks ago

Thank you! I shrunk down the image and I think I see what you're talking about, ha. I assure you the real baby is adorably human looking!

 
[–] HelterSkeletor@lemmy.world 1 points 4 weeks ago

Oh my God Secret City, I haven't thought about that show in ages.

[–] HelterSkeletor@lemmy.world 2 points 4 weeks ago (1 children)

Lovely loose style, detailed without details is a challenge, looks great.

[–] HelterSkeletor@lemmy.world 2 points 1 month ago (1 children)

You nailed the metallic look of the armor. Kudos

[–] HelterSkeletor@lemmy.world 2 points 1 month ago

Yeah, I used Lamp Black, Neutral Tint, Fr. Ultramarine, and Burnt Sienna. I wanted to play around with some warm and cool greys but I'm not sure if it loses a little cohesion as a result but I'm happy with most of it.

This one in contrast has that cohesive feel I was talking about since it uses only Lamp Black and Daniel Smith Moonglow.

[–] HelterSkeletor@lemmy.world 2 points 1 month ago (1 children)

Good is kinda relative. I like Arches cold pressed ($$$) or Baohong academy ($$). Any 100% cotton 140lb paper is probably good. Pulp paper is cheap enough I use it for watercolor sketches or studies which means I paint more but the quality is all over the place. Pulp paper is harder to paint on, it's less forgiving of moisture control. Jackson's has some good cheap blocks I recommend.

[–] HelterSkeletor@lemmy.world 3 points 1 month ago (3 children)

A wash, just being a separate, distinct layer of color or colors which is allowed to dry before a second wash may be applied.

I must have misunderstood when you said "flat", just getting that even coat of color. Sounds like you're using a bead to get an even wash, slowly working down the incline of your surface which is how I do it. On good paper using that method has always given me the most even wash if that's what I'm going for.

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submitted 1 month ago* (last edited 1 month ago) by HelterSkeletor@lemmy.world to c/artshare@lemmy.world
 

Sourced image from Liron Yanconsky's video (link to image in description) https://youtu.be/DijoAdqttoA

I'm not affiliated with Liron, just posting my source.

Loved the still life he shared, I've been wanting to do more materials and this one has metal, ceramic, and glass, the dynamic lighting is great.

 
 

Reference here.

Study on reflections.

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submitted 4 months ago* (last edited 4 months ago) by HelterSkeletor@lemmy.world to c/artshare@lemmy.world
 

Photo by Garreth Paul, I'd found it on Unsplash but now I can't seem to find the original, https://unsplash.com/@garrethpaul

I have this copy however. https://imgur.com/ISxrfN4

 

Light study, plein aire, loved the different colored lenses in the glasses.

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submitted 4 months ago* (last edited 4 months ago) by HelterSkeletor@lemmy.world to c/artshare@lemmy.world
 
 
 
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