AccidentalRenaissance is for photos that look like Renaissance paintings.
This means that they look like Renaissance art in their composition, their coloring, their saturation, the angle of the scene, the types of settings, etc.
๐ Must be a photo. Not a meme, drawing, art, ai-generated or ai-enhanced image, screenshot, low-effort post, meta posts, video, or anything else but a photo.
๐ Must be SFW. No gore, porn, extreme violence, blood, corpses, or similarly disturbing content. Absolutely no pornography, even if it's "tasteful".
๐ Comments must be civil. No slurs of any kind or using words to insult, demean, harass, or abuse other individuals or groups.
๐ The Renaissance part (not the photo itself) must be accidental to the photograph. In other words, no photos of Renaissance fairs, people dressed in medieval/Renaissance clothes, etc.
๐ NO influencer selfies, professional photoshoots with watermarks, any type of OnlyFans-like content. We are not the place to work your side-hustle.
๐ธ If you know who the photographer is, give them credit in the comment section. This is the only type of self-promotion we allow.
๐ฉโ๐ฆฏ Alt-Text for vision-impaired users in the post body or in the comments is highly encouraged. Just pretend you are describing a photo to someone on the phone.
๐ค Created by the former mod team of r/AccidentalRenaissance
From https://nafo.uk/@rogue_corq/110769105067266195, this is especially poignant.
I thought this was AI generated at first, which had a surreal effect. Imagine finding ancient ruins in this kind of "pristine" condition. The ancient world must have been impressive to witness.
This place was maintained to modern standards until it was hit by a Russian missile this week.
Words can't describe
Well, in the interest of the visually impaired, I'm gonna give it my best shot in a separate comment!
Image Transcription:
[ Half a dozen dark-clothed figures stand some distance away from us in the badly damaged, grandiose white and gold marble halls of a Baroque-era church; safety-orange-striped hazard tape marks hazardous areas, and most of the figures wear safety orange or white hard hats, surveying the damage in soft diffused sunlight. To the left, in the distance, Corinthian-style columns tilt at a worrying angle barely able to hold up a heavy-looking interior cupola richly decorated with gold leaf. Figures directly below in orange hard hats survey the damage to the pillars but they are partially obscured by exquisitely delicate-looking low fencing, which hazard tape is pulled across and in front of. In the distance in the center of the image, decorative niches that are twice as tall as the figures in the image are partially destroyed, revealing joists and supports, and whatever they housed has been removed, although a lone white marble cross remains perched delicately above them. A gigantic gold chandelier fitted with electric candles hangs above, having received little damage, though because it is unlit it's not apparently clear if it managed to remain functional. To the far right, a large square structural support with a small gold electric sconce seems undamaged, but a very large pile of rubble at it's foot suggests that the roof it supports may no longer be intact. The figure at the center, facing away from us, appears to be wearing a priest's cassock, helmet-less, his arms hanging limply at his sides as he gazes upon what is left of his church. ]