I was there in Toronto last night and it was magical 
Hell yea
this post was submitted on 12 Sep 2023
55 points (96.6% liked)
Movies and TV Shows
33 readers
1 users here now
General discussion about movies and TV shows.
Spoilers are strictly forbidden in post titles.
Posts soliciting spoilers (endings, plot elements, twists, etc.) should contain
[spoilers]in their title. Comments in these posts do not need to be hidden in spoiler MarkDown if they pertain to the title's subject matter.
Otherwise, spoilers but must be contained in MarkDown as follows:
::: your spoiler warning
the crazy movie ending that no one saw coming!
:::
Your mods are here to help if you need any clarification!
Subcommunities: The Bear (FX) - [!thebear@lemmy.film](/c/thebear @lemmy.film)
Related communities: !entertainment@beehaw.org !moviesuggestions@lemmy.world
founded 1 year ago
MODERATORS
This is the best summary I could come up with:
“Stop Making Sense,” directed by Jonathan Demme, is widely considered to be one of the finest examples of the form, a joyful documentation (and celebration) of Talking Heads’ 1983 tour supporting their album “Speaking in Tongues.” The Toronto festival screening marked the debut of A24’s new restoration of the film ahead of its theatrical and IMAX rerelease later this month.
From the opening image — of Byrne’s scuffed-up white sneakers striding onto the stage, as he sets down a boombox and announces, “Hi, I got a tape I wanna play” — seeing “Stop Making Sense” in IMAX was like seeing it anew.
The image, blown up from the original 35-millimeter negatives, was crisp and rich; the sound, an early digital audio recording, felt like it had been laid down last night.
By the midpoint, this odd little man and his friends have become a family, and when Byrne sings the kind and welcoming lyrics of “This Must Be the Place” (“Home/is where I want to be/but I guess I’m already there”), it’s as heartfelt and moving an emotional beat as you’ll find in any narrative film.
But he’s far from the only attraction, and the detail of the IMAX restoration (coupled with Demme’s preference for long takes and wide shots) provides the viewer with plenty of opportunities to observe the dynamics, throughout the frame, between the group, additional musicians like the keyboardist Bernie Worrell, and the crew.
The rowdy crowd applauded every number, cheered for the band’s introductions and clapped along with the breakdown in “Take Me to the River.” One guy hollered, “Encore!” when the movie ended.
The original article contains 1,083 words, the summary contains 268 words. Saved 75%. I'm a bot and I'm open source!