this post was submitted on 28 Feb 2024
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I generally have a problem with it the statement that Esperanto is poorly designed. When considering that it does enough things right. That it uses internationalisms, that it can be sung, that it gives enough expressivity, that it's mechanical enough to be learnt by it's grammar, etc.
It always sounds as if Esperanto is Latin with a thousand of exceptions, designed like french with spoken language does not equal the written text of the language, etc.
When in fact the opposite is the case. People then point to one of the current language projects, which are supposedly "better" in one dimension or another. That's just optimizing to some standard of perfect.
By "poorly designed" I'm conveying "full of sub-optimal decisions that introduce unnecessary complexity and unintended consequences". Justin B. Rye has a full rant on that; I'd like to pick specifically the following issues:
In special, Esperanto as defined in the 16 rules is full of assumptions on how a language works that boil down to "you should know it, because it works like in European sprachbund languages". And sometimes those assumptions break even for those European languages.
Later auxiliary constructed languages show a lot of improvements in this regard. And while they do focus often on one or another aspect, as you hinted, often the result is cleaner.
The source of the internationalisms is often a disputed point on itself. It relies for example a lot on Romance and Latin vocab, even when it doesn't make much sense (e.g. "sango" comes to my mind).