this post was submitted on 09 Apr 2024
43 points (95.7% liked)
rpg
3213 readers
45 users here now
This community is for meaningful discussions of tabletop/pen & paper RPGs
Rules (wip):
- Do not distribute pirate content
- Do not incite arguments/flamewars/gatekeeping.
- Do not submit video game content unless the game is based on a tabletop RPG property and is newsworthy.
- Image and video links MUST be TTRPG related and should be shared as self posts/text with context or discussion unless they fall under our specific case rules.
- Do not submit posts looking for players, groups or games.
- Do not advertise for livestreams
- Limit Self-promotions. Active members may promote their own content once per week. Crowdfunding posts are limited to one announcement and one reminder across all users.
- Comment respectfully. Refrain from personal attacks and discriminatory (racist, homophobic, transphobic, etc.) comments. Comments deemed abusive may be removed by moderators.
- No Zak S content.
- Off-Topic: Book trade, Boardgames, wargames, video games are generally off-topic.
founded 2 years ago
MODERATORS
you are viewing a single comment's thread
view the rest of the comments
view the rest of the comments
Thank you, I've realised that my approach seems a little different from other here, where I try to pick an RPG for an idea that's forming in my head, based on the genre and tone, settling on an RPG that's 80% there but people love the ruleset, then I chop and change it to get close enough to 100%.
This is probably detrimental in a few ways too, as some games like Lancer are unchangable until I'm familiar enough to peel apart the interwoven mechanics and lore, and I'm not going to touch it because I almost never run official settings and adventures, particularly in longform games.
I will shout out both Alice is Missing and For the Queen, which both get worse when they get altered, because their strength comes from their simplicity and then probably ridiculous amount of playtesting.