Technology
This is the official technology community of Lemmy.ml for all news related to creation and use of technology, and to facilitate civil, meaningful discussion around it.
Ask in DM before posting product reviews or ads. All such posts otherwise are subject to removal.
Rules:
1: All Lemmy rules apply
2: Do not post low effort posts
3: NEVER post naziped*gore stuff
4: Always post article URLs or their archived version URLs as sources, NOT screenshots. Help the blind users.
5: personal rants of Big Tech CEOs like Elon Musk are unwelcome (does not include posts about their companies affecting wide range of people)
6: no advertisement posts unless verified as legitimate and non-exploitative/non-consumerist
7: crypto related posts, unless essential, are disallowed
view the rest of the comments
@ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml Actually, @senficon did debunk the latter one.
https://felixreda.eu/2021/07/github-copilot-is-not-infringing-your-copyright/
@kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Felix’s analogy is flawed.
> If I go to a bookshop, take a book off the shelf and start reading it, I am not infringing any copyright.
An LLM is not a person, and gobbling up the entire shop is not the same as reading a few pages from a single book. If you start reading more than half the books in the shop without ever paying, you bet the owner will ask you to buy something or kick you out.
@ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon
Still your core argument is valid: The #Copyrightmafia is the problem.
https://www.youtube.com/watch?v=tk862BbjWx4
@kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon My late congresscritter, Howard Coble, was responsible for that. A product of north-central North Carolina, he was nicknamed "The Congressman from Disney" in the district (and in Washington) because of all the water he carried for that corporation on IP matters.
@panamared27401 @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Funfact: With very few exceptions like #StarWars, most of the big #Disney #IP is based off #PublicDomain content...
Which makes it even worse as they basically now squat that and prevent everyone from making good new works unless the few cases were their IP has also lapsed...
Which is hillarously good when it happens and someone times their release just right...
https://www.youtube.com/watch?v=W3E74j_xFtg
@kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Oh, I know. I did some reading on Coble and Disney in the late 1990s, and I was stunned to learn about how much stuff they were squatting on. But money talks loudly enough to drown out all other voices.
@panamared27401 @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon which is why I want #IP like #Copyright to be limited just like #Patents are:
A fixed period of 10-25 years and that's it!
Anything else is a gross violation of social contract given the fact that noone can make content past their death, so 70 years postmortal IP protection can only serve corporations and license administrations and noone else.
@kkarhan @panamared27401 @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon 25 years is a long ass time to turn ideas into cognitohazards you can't watch nor use in culture.
Any time at all is quite long for deciding you can choose what others may think and say.
#AbolishCopyright
@lispi314 @kkarhan @panamared27401 @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon i think it depends on type of content. Song, book, film? Whatever.
Software, though? IT moves so fast, and copyright can cripple interoperability so much, that perhaps for software, it should be much shorter.
@chucker @lispi314 @kkarhan @panamared27401 @technology @music@fedibb.ml @music@lemmy.ml @senficon The other factor with software copyrights is the issue of legacy software.
There's a lot of software out there in the world that's still in use, still under copyright, but no longer sold or supported by a vendor. In some cases, it might not even be clear who actually owns the copyright.
Sometimes it's for specialist equipment that's built using obsolete software. (Hello, OS/2 ATM machines.)
Sometimes it's for large enterprises that still use legacy VAX machines, token ring ethernet equipment, CP/M applications and Windows XP desktops.
Sometimes it's run by retro computing hobbyists who really loved the Atari ST or Speccy.
There's a good argument to be made that all abandonware should be released to the public domain. It would certainly make life a lot easier for many people.
@ajsadauskas @chucker @lispi314 @kkarhan @panamared27401 @technology @music@fedibb.ml @music@lemmy.ml @senficon The Software Preservation Network is working on this in the US, carving out exemptions for software preservation under the DMCA. https://www.softwarepreservationnetwork.org/core-activities/law-policy/
@ajsadauskas @chucker @lispi314 @kkarhan @panamared27401 @technology @music@fedibb.ml @music@lemmy.ml @senficon Share alike is better in many respects than PD. This is purely to make life easier, not for another round of making profits by adding some little modifications here and there.
@forthy @ajsadauskas @lispi314 @kkarhan @panamared27401 @technology @music@fedibb.ml @music@lemmy.ml @senficon maybe, but like any license, share alike only works if you continue a work’s copyright in perpetuity
@chucker @ajsadauskas @lispi314 @kkarhan @panamared27401 @technology @music@fedibb.ml @music@lemmy.ml @senficon This is work that still has copyright. When doing discussions with authors of abandoned work, they are much more willing to go for share alike than for PD.
Anyways, PD should have been share alike from start.
@chucker @kkarhan @panamared27401 @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon I think that being unable to use nor remix music for years is far too long.
It doesn't remain broadly relevant for all that long in popular culture anyway. Before the internet that cycle was at the very most decade-long, now it has shrunk dramatically as information travels faster and more broadly.
Copyright also inherently assumes you have a right to control the minds of others, which I deem unconscionable.
@lispi314 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon I think a lot of musicians (cf. R.E.M.) with sizable back catalogs to which they own the rights would disagree with you, and honestly, I don't know what the right answer is.
That said, if you would, please explain why you mean by "copyright also inherently assumes you have a right to control the minds of others." I'm not following.
@panamared27401 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Copyright inherently means you cannot replicate an idea you might have come across before in any way without licensing it (which is profoundly exclusionary due to the economic dynamics involved).
Given that human culture generally involves the sharing of stories and ideas, it turns all culture covered by copyright into cognitohazards that poison any attached material.
@panamared27401 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Much like patents it also fails to account for the concept of parallel invention, which is made worse by the general way humans assimilate patterns from stories and art with the distinct possibility of reusing some bit without even meaning to (hence the cognitohazard bit).
@lispi314 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon OK. So let's say there were no such thing as copyright law. How, then, would artists, writers, musicians, etc., make a living?
@panamared27401 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon The same way any other creative labor is paid.
I certainly wouldn't write code for companies without fair remuneration.
Most other forms of creative work also lend themselves a bit better to crowdsourced patronage & merch than my own craft.
In any case, the value is with the labor, not the resulting work. Mostly only labor can lead to new works or improvements to old ones.
@lispi314 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Also, the guy in the video says we should either ban copyright or severely shorten its length. Those are two VERY different things. I have to wonder whether severely shortening its length and streamlining the process for obtaining rights wouldn't solve most of the problems currently surrounding U.S. copyright while still allowing creative people a chance to make money.
@lispi314 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Your model for writing code implies that all code writers must be someone else's employee. But what if they want to be independent? How do those folks get paid?
@panamared27401 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Well, that's where the crowdsourced patronage & merchandise models (among two typical options) come in.
Both unfortunately rely on popularity with an audience will & able to pay to really work.
They're hardly the only options, streamers have found corporate sponsors for example, but I couldn't call myself an expert in alternative monetization practices.
@lispi314 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Having been a freelancer and independent contractor off and on for 45 years, I've looked into most of them, and in most cases, for them to "work" -- by which I mean provide a living -- the artist must still be protected by copyright law; otherwise, others could duplicate and sell his/her work as their own and receive money that otherwise would have gone to the creator.
what do you think of a hypothetical law that would allow reproduction and modification of work and selling it, but only at cost and one would have to include credit to the original author?
@panamared27401 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon One would think the ease of attribution and finding out plagiarism on the internet would help mitigate that.
Credit/attribution remains essential.
@lispi314 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Even with copyright law, plagiarism happens all the time, albeit usually on the personal level rather than the industrial level. Imagine how bad, and how industrialized, it would get if we had no copyright law.
@panamared27401 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon A more long-form and less idiosyncratic take that I mostly resonate with would be found linked here: https://mastodon.top/@lispi314/109918144425104762
@lispi314 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon OK, I'll take a look.
@lispi314 @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Agreed. My 2 cents is that it's a reasonable compromise, but I get that people may disagree.
@panamared27401 @lispi314 @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Personally, I think that any number lower than lifetime + 70 years is an improvement.
Either way the system is just absurd.
@kkarhan @lispi314 @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon No argument here.
i would add two additional stipulations to that: copyright restriction should not be automatic, and should be renewed every year. one would have to pay a fee for copyright restriction (without the fee, restrictions would default to a much more permissive CC BY-SA–like system) and the fee must be paid every year the restrictions are renewed
that way, eventually the cost of keeping the material restricted will outweigh the profits, and the license holders will stop paying. it automatically enters the more permissive set of restrictions, and it gains a new life among sharers and remixers
@kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Oh, I quite agree. Coble's hometown paper editorialized against the copyright changes Disney bought through him at the time, but nobody else listened. Coble certainly didn't.
@kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon yeah please STFU, bootlicker
You don‘t have to insult people just because they point out legal facts that don‘t fit your worldview. Don‘t shoot the messenger. You don‘t have to like the facts but that doesn‘t change them.
@foonex yeah, STFU too, bootlicker. You have no idea what you're talking about, you're clearly an ignorant little fascist, and you should follow your leader. Cry harder, you fucking bellend.
You are an asshole of unmitigated proportions.
@atomicfurball you can choke on me, you stupid piece of shit. You are utterly insignificant. Kill yourself.
@atomicfurball@lemmy.ml pretty pathetic that Karhan make 2 sock accounts to call me an asshole because his pedophile brony ass couldn't handle being told to shut up
@kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon The word you're looking for is "dispute". To say it "debunks" stretches the truth beyond its breaking point.