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Jesus Christ. The first one was beautiful and terrible. This was just naked horror (though part of that was that I’m not a native German speaker, so phrases like “blood-shod” in the first poem might have flown over my head in the second one), but I think it might be more effective for it. I also like that it addresses the populace, more than the politicians/potential soldiers.
Interesting! It‘s the opposite with me, I am not a native English speaker, and I actually didn‘t understand blood-shod. They limp and have blood in their shoes? The pictures that came to my mind reminded me of the Borchert poem. It felt like the adequate reply. I love it for the explicit message: Sag Nein! The horror at its end I find just as horrifying as the Owen poem. Back to back, and we have snapshots of the horrors of WWI, WWII and WWIII.
Shod is basically an archaic form of “shoed,” so it’s soildiers who have worn through their boots and are walking just on blood.
I agree that they’re both incredibly moving and horrifying. I think “Sag Nein!” Reflects the perspective of the German postwar generation on communal guilt, whereas the other is more of an attack on politicians. It seems fitting, based on the wars involved, especially because they’re both calls to action, rather than simply condemnations.