Fully Automated RPG

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This community is for discussing solarpunk tabletop gaming, organizing games, and sharing questions, new content, and memes.

For more info visit fullyautomatedrpg.com.

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We started a new campaign! (self.fullyautomatedrpg)
submitted 1 week ago by andrewrgross to c/fullyautomatedrpg
 
 

A few of us just started a new campaign! We might have room for one or two more people if anyone has been looking for an opportunity to join in a game of Fully Automated!

I'm not the GM, fyi, so participating is contingent on the preferences of our GM. But I'm excited to finally be trying this game as a player!

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I volunteered to present a talk on Robot Operating System (ROS) to the Open Automation Club. Details can be found here: https://www.autobio.blog/robot-operating-system-with-andy-gross/

If you want to join, this is the link (although I added the word "POTATO" to prevent bots from doing anything weird. Remove the word POTATO to access the meeting).

https://us06web.zoomPOTATO.us/j/85686205319?pwd=QUuCxqbbfYb3xhjf8X3Nqrn9VGVxHy.1

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There was a post on Reddit that praised the ubiquitous "Dear Alice" commercial, and inevitably a comment criticizing praise for a commercial. This led to me to wonder more about who it was that made this famous solarpunk advertisement. The answer is an animation studio called The Line. I went looking at some of their other work, and came across this interesting demo short for what appears to be a proof of concept or pilot for a solarpunky animated monster hunting series.

I don't love the heavy use of guns. But setting that aside, I think the art is interesting. I'm fascinated to see what people are doing with the artistic and conceptual toolset solarpunk offers, and I think this is a use case that I wouldn't mind seeing more of.

Unfortunately, this demo is as far as the project went. But I'm happy to see that the folks at The Line appear to have some broader interest in solarpunk, and I hope they keep putting it into practice in unique ways.

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Full disclosure: I'm the one in the interview. But still, I think this was a great episode! I really appreciated the questions Ariel asked and where the conversation went. There's so much I wish we could've covered, but considering the limitations of time, I have no regrets.

Share thoughts. I think there are other podcasts that would be a good fit to discuss this game. If so, though I'd encourage other devs of the game to consider going on. I think the diversity of perspectives would be cool to hear.

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New adventure idea: Rock-a-by Baby! (self.fullyautomatedrpg)
submitted 2 months ago* (last edited 2 months ago) by andrewrgross to c/fullyautomatedrpg
 
 

I had this idea for an adventure. I wanted to post it here so I don't forget it, and also to share it in case anyone else wants to use parts of this.

~

Players investigate a fatal industrial accident in a mining project by a fault line management agency. They discover that the deceased had uncovered a conspiracy: the agency has been slowly infiltrated at multiple levels by members of the suicide cult NostroCramo. This group believes that the world is a simulation, and seeks to crash the simulation to liberate themselves and anyone else who is trapped in it, and they've become convinced that triggering a massive earthquake will do it.

To do so, they've infiltrated the Seismic Management Division of the Pacifican Department of Geology, which is responsible for conducting deep subterranean operations to execute small controlled releases of energy along fault lines. Their plan has been to use the agency's resources to do the exact opposite purpose: instead of modeling out the safest way to release energy, they've been setting up an energy release meant to trigger the biggest possible release along the entire San Andreas fault line ever: the first magnitude 10+ quake.

The players have to investigate the death, discover that the accident was really a murder, uncover the conspiracy, then make their way through mine shafts to disable the charges. They must work their way all the way to the location of the largest charge in a bunker sitting 7 km down within the earth's crust. They can initially be trying to move undetected to avoid motivating the cultists to trigger the charges early, and then later be racing them down to the last and deepest one.

(I'm calling it "Rock-a-bye Baby" for now, although I'm pretty sure I can do better than that. Feel free to suggest cooler names.)

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I created a brief introductory video explaining the premise of the game, another describing the premade characters, and four actual play videos to show folks what the game looks like in practice!

I've uploaded these to YouTube and of course PeerTube as well!

https://video.everythingbagel.me/c/fully_automated/videos

https://www.youtube.com/@FullyAutomatedRPG-nz1wh

I don't plan on making any more content at the moment, but I'm glad to have a few videos that I think might help people who want to know more get a clearer picture on what this is. And if we happen to make more video content in the future, we now have somewhere to put it!

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RPGGeek.com is a website for rating and discussing role playing games. We now have a product listing there. If anyone is registered to the site, consider going on and leaving a rating or review!

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Parable of the Sower is such a good book.

First, it's interesting that it starts right about now. The book starts in mid-2024, and even mentions that its an election year. That was a fascinating experience to read a scifi book in the moment in time in which it is set. It still feels like it takes place about 20 years in the future. It was written 31 years ago, so politically things have seemed to move as many steps forward as backward. It seems like a lot of things have not gotten better and worse than when Butler wrote it, so in some sense I feel like I'm looking at it as a near future in the same way as when it was written a generation ago. I guess I'm glad things didn't go as badly as in the story, but it's rough that the looming threat from 30 years ago feels the same distance away now as then.

Second, it's painful to read. Although the events described in the book haven't happened in the book's setting -- California -- the social collapse and migrations described have happened in Honduras, Gaza, Yemen, and certainly others I'm not aware of. It was really hard to read that and know that it was already real somewhere.

Third, as a solarpunk novel -- and really as general fiction -- it feels like it should be part of a high school curriculum. It's really well written and an engrossing read. Since publishing Fully Automated, I often relate solarpunk stories to that game. What might I have added to the game if I'd read this before? How well does it naturally fit? One thing that struck me is that her emerging in-world faith -- Earthseed -- reminds me quite a bit of elements of Seekerism, a new faith tradition in Fully Automated. I wish I'd known and included direct references to Earthseed, but it's nice when the game has alignment with great works that I wasn't directly familiar with.

Has anyone else read this? What do you folks think?

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submitted 2 months ago* (last edited 2 months ago) by andrewrgross to c/fullyautomatedrpg
 
 

I finally got around to making a playlist of the music used to score the starter campaign, Fully Automated: Regulation!

I think it's a collection of real bangers. I hope that for people who haven't played these stories, this might give an enticing taste of what to expect. And for people who might've played, perhaps it takes you back to some memorable moments.

Demonstration of Power

  • The stakeout: “This DJ” by Warren G
  • Fight scene!: “Dare to be Stupid”, covered by The Cybertronic Spree
  • Roll credits: “Fine”, by Lemon Demon

Psychonautica

  • Opening Sparing match: “Champion” by Buju Banton
  • Entering neurospace: “Just dropped in” by Kenny Roger
  • The mindscape: “Ghandi, Dalai Lama, Your Lord & Savior J.C.” by André 3000
  • Dance battle: “Do the Damn Thing” by Rupee
  • The Bathhouse: “Ants to You, Gods to Who?” by André 3000
  • Android assault: “Robot Rock” by Daft Punk
  • Synthesizing the cure: “The Oligo Separation Verse” and “Analytical Gangster” by True Speak
  • Roll credits: “Pony” by Deluxe

Piece of Mind

  • Surf Intro: “Cecilia Ann” by The Pixies
  • Fighting back: “Headshot” by she
  • Starting the investigation: “No Time for Dreaming” by Charles Bradley & Menahan Street Band
  • Sneaking around: “The Sensual Woman” by The Herbaliser
  • Piecing things together: “Cause for Alarm” by The Heavy
  • Research montage, pt.1: “Metrocenter 84” by Sunset Neon.
  • Research montage, pt.2: “You Rock Me” by she
  • Making a plan: “Drag and Drop” by the Soul Motivator
  • Showtime: “Swing Break” by the McMash Clan, feat. Kate Mullins
  • Showdown: “Mastermind” by Deltron 3030 and Dan the Automater
  • Showdown, cont’d: “Don’t Get In My Way” by Zach Hemsey
  • Roll credits: “UNLVD” by Socalled

Olives Fair in Love and War

  • Vampire fight: “Dark Entities” cover by Daniel Guerra Caballero
  • Roll credits: “Birdhouse in your Soul” by They Might Be Giants
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cross-posted from: https://slrpnk.net/post/13032570

One of my ongoing goals is to emphasize reuse in solarpunk media – both through my own projects and whenever I get the chance while helping others through suggestions or editing.

There’s a wealth of stuff all around us which could be repurposed in creative ways, and solarpunk art and fiction has a wonderful opportunity to demonstrate that ingenuity and thrift.

A lot of that stuff is in cars. So here’s some notes I’ve pulled together from various online discussions and from many people’s recommendations in solarpunk spaces. It’s not exhaustive, its probably not all good advice, but it should be good enough for a writer to casually drop into a description of a room or workshop, or for an artist to include in the background of a scene. Something that shows that this isn’t a scratch-built future, that they’re repurposing existing stuff wherever they can.

Think of all the weird ways postapoclyptic movies dress the sets with misused items from the present – here’s a somewhat practical guide to solarpunk set dressing with the guts of cars:

The big stuff:

  • Depending on the vehicle, its frame (if it has one), axles, and wheels can be used to make a trailer, cart, or similar. (I’ve definitely seen trailers that were just the back half of a pickup truck with a tongue and hitch welded on.) Bonus: the bearings in car wheels tend to be better than those used in regular trailers.
  • The transmission from a vehicle could be rigged up to a wind/water mill to adjust rotational velocity of a sawmill or other industrial application. Some power tools, like lathes, use vehicle transmissions: https://www.practicalmachinist.com/forum/threads/truck-transmission-for-lathe.240574/
  • Steel leaf springs can be removed from their bundles (they’re long, flat pieces of steel stacked and bound together with strips of steel) and are favorites of blacksmiths for making swords and knives because of the type of steel used.
  • Earthships can be made with stacked tires packed with rammed earth: https://earthship.com/systems/garbage-management/

The Electronics:

  • Alternators can be used to generate a wide range of amperage and voltage, suitable for different needs, including (in a few specific cases) welding: https://diysolarforum.com/threads/diy-low-cost-generator-from-vehicle-alternator-alternating-generator.1843/
    • The terminology here is a little confusing – early cars had DC generators (sometimes called dynamos), then they switched to AC alternators. But modern ’emergency generators’ still use alternators hooked up to an engine. So if you’re looking for something to convert motion to electricity, perhaps to attach to a water wheel, a vehicle alternator (and some belts to adjust the speeds) could do the job.
    • Some caveats: suitable vehicle generators and motors will likely work better, and to get an alternator to work you may need to either include a power source of 12v to excite the alternator, or to to replace certain internals to include permanent magnets. You'll need to mess with the gear/pulley ratio to get the right (high) speed too.
  • The electronics in most cars are usually all designed to run off 12 volts, which can be very convenient for a household with solar panels depending on their setup. If a household has a low-voltage DC battery bank (some do, some don’t) then dropping the battery voltage a few times to power car parts comes with a smaller efficiency loss.
  • These 12 volt electronics include things like the cab lights, headlights, radio/entertainment system, backup/surround cameras (perhaps for a security system?), all of which could be placed in a home on a circuit providing the same power they’d get in a car.
  • LED headlights make for decent grow lights. Different models hit different parts of the spectrum, but generally they’re sturdy, run cool, and don’t take much power. They might not be as fine-tuned for plants as a dedicated product but they’re common and probably not being used for much in a solarpunk society.
    • Alternative use: outdoor lights, indoor spotlights, light on a wagon, rickshaw etc.
  • A car air conditioner could cool some small storage room decently. With big living rooms, it would have difficulty https://permies.com/t/177638/Convert-car-air-conditioner-home
  • Cars have lots of small electric motors with various advantages and disadvantages: you can pull motors from the blower, power windows, and windshield wiper motors have a fair bit of torque and can be decent actuators for some projects (I’ve seen them included in robotics projects).
    • The blower and motor could be used for ventilation elsewhere.
  • Starter motors are tricky – they’re designed to provide a lot of sudden torque to briefly turn the engine, and not to run for a long time. So they don’t fit a lot of our usual use-cases for electric motors. I’ve seen forum posts that describe using them for hoists (like to lift heavy things) but that’s about it so far.
  • There’s plenty of wiring in a car which can all be reused as long as the gauge is correct for the new use.
  • Automotive Relays are used to enable a low amperage circuit to switch a higher amperage circuit on or off, making the control systems safer. One example given was switching on heaters in a thermal storage water tank. There’s a fair number of forum threads where people link arduinos to automotive relays to control things the arduino couldn’t handle on its own.
  • Car batteries have long seen alternative uses – they might be the one car part used most outside of cars. As vehicles go hybrid and electric, their bigger, more powerful batteries become more common. Even when they weaken overtime, the lower power density doesn’t matter much for fixed installations where weight isn’t a factor, so old electric car batteries show up in homes and local grid storage systems: https://www.motherjones.com/environment/2023/11/old-ev-batteries-solar-power-grid-backup-b2u/

Moving fluids:

  • Various pumps and tubing can be used for moving fluids (though the original purpose/contents will restrict what you can use them for).
  • The tubing, tanks, pumps, and other parts used for windshield washer fluid are probably the safest car-fluid-handling components to reuse for non-car things (with a lot of rinsing and cleaning): https://www.mountainbuzz.com/threads/reusing-wiper-fluid-jugs-for-drinking-water.97053/
  • Car radiators work well for heat exchange, their intended purpose whether they’re in a car or not. This can be part of systems for heating or cooling.
  • Copper brake line can also be used in heat exchanges.
  • Fuel and brake lines should definitely not be used for things like potable water. But you wouldn’t be using potable water for heat exchange anyways, so contamination from the radiators, tubing, or brake line won’t make much difference there.

Odds and Ends:

Cosmetic stuff:

  • Seats: couches, chairs, porch swing, etc, fabric, foam stuffing for stuffed animals.
  • Windows are tricky because the shapes are weird, which can make framing them difficult, but they could be set into clay or concrete or similar building materials.
  • Hoods, roofs, and body panels offer some large sheets of metal which could be used for sheds.

Last but not least, there’s always conversion to run on woodgas (something I’ve depicted in a photobash) for some limited uses, or conversion to electric. And if all else fails, you can always melt them down for your society’s steel manufacturing needs – electric arc furnace smelters running off a green grid, recycling, are about as close to zero emission steel as you’re likely to get, and the metal is already refined so I think you could get pretty tight control over the quality on the output.

But I hope you’ll consider some of the above possibilities too. The parts are out there, we might as well use them.

Thanks for reading! Like I said, this is by no means an exhaustive list, so if you know of something I’ve missed, or see something I got wrong, I’m happy to edit it!

Also available here: https://jacobcoffinwrites.wordpress.com/2024/09/04/using-every-part-of-the-car-a-resource-for-solarpunk-writers-and-artists/

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Swamp City Brainstorm (self.fullyautomatedrpg)
submitted 2 months ago by JacobCoffinWrites to c/fullyautomatedrpg
 
 

cross-posted from: https://slrpnk.net/post/12735795

Hi! I'm hoping to hear people's thoughts on what my city, New Orleans, would look like in a perfect solarpunk world.

Most solarpunk art (which I love to see!) Seems to be praire/plains or forest inspired, and definitely one of the issues we have that I want to avoid is people bring environmental and ecological policies and thoughts from those two biomes to other ones (because they're seen as kind of default).

So, New Orleans! Lots of interesting challenges to address, including:

-tornados (so we need safe rooms and to withstand them

-hurricanes (there's probably no way to withstand these, instead maybe something that's kind of designed to be refixed once a year, since that's what happens anyways)

-flooding, both hurricane-associated and flash-flooding throughout the year (definitely no basements, honestly maybe no first or second floors either).

-extreme heat (feels-like gets to 120F/50C at least a couple days a year)

-extreme cold (not nearly as bad as the heat, but can be brutal enough that they turn schools into extra shelter for our unhoused for about a week each year)

-end of the river (we're at the end of the Mississippi, so we're definitely more silt than soil)

-swamp (New Orleans is sinking, our ground isn't particularly stable)

-agriculture (I'm really not sure farming is a great idea. It's hard to find local crops that grow in the wetlands--even lists of indigenous foodways focus more on upstate, where traditional planting would work. Can we farm in the wetlands without turning it into a farm?)

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cross-posted from: https://slrpnk.net/post/12656646

Created by /u/joan_de_art on Reddit.

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I just wanted to share that I recorded an upcoming episode of the Solarpunk Presents podcast!

I recorded it last Thursday, so I'm guessing it'll probably come out in September. I hope it went well. I'm a little concerned I was overcaffinated and also got too excited and might sound like it. But hopefully that won't be too much of a problem.

I'm very excited to hear it. The conversation felt very lively, and I'm eager to see what comes of it.

If anyone knows of other opportunities to talk on streams or podcasts, let us know! You can offer to go on yourself or refer another person. Cheers!

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Solarpunk Personal Vehicles (self.fullyautomatedrpg)
submitted 3 months ago* (last edited 1 month ago) by JacobCoffinWrites to c/fullyautomatedrpg
 
 

Earlier today, I saw this thread on Mastodon: https://writing.exchange/@jannik@norden.social/112965146817661555

In it, the poster wondered what solarpunk cars would look like, and speculated that we already agree that they'd be lightweight small cars with electric drive. I wrote up a few posts in response, and gathered up some reference images, and I think they might be useful for folks looking to add detail to streets in Fully Automated.

I'd argue that in a solarpunk world, most personal travel should be feasible with public transit in one form or another, and with bikes or other similar pedal/electric contraptions filling much of the last-mile needs. And FA! offers a wide range of vehicles from ropeways and airbus to trains and streetcars and ferries that fill those various public transit niches. Likewise, most cargo should be being moved by train, airship, or ocean vessel.

But that still leaves a lot of gaps: last mile transit, especially for heavy cargo, and personal conveyance for people with disabilities and other needs spring to mind. FA! has some wild/exciting stuff like personal rotorcoptors and gliders here, but what would some of the more mundane vehicles look like?

I think with most transportation handled by public transit, car-ready streets are likely going to be de-prioritized, if only as a matter of cost/resource allotment. I picture a lot of them shrunk down to make room for parks, gardens, and sponge-city permeable surfaces and basins, leaving something wider than a bike path, but narrower than our current default.

I think we'd see road networks used mostly to reach local destinations, and public transit hubs, and that the vehicles on those roads would generally travel much slower, and could be held to much lower safety standards than modern cars.

In real life there are a dizying array of contraptions people come up with in alternative vehicle competitions - hybrid electric, solar, and pedal-powered machines sort of partway between a bike and a car. If the roads are no longer the sole domain of cars and high speed limits, and bikes weren't restricted to narrow bike lanes and paths, I could see people building all sorts of things to suit their needs for local transportation and cargo capacity.

Ideally they'd be open source, DIY things which reuse as many existing parts and materials as possible. I've gathered up a few of my favorite examples here:

The vhelio modular electric/pedal hybrid vehicle looks pretty crude, but it offers a crazy variety of configurations, I could see some descendant of it, a bit more developed, being common on streets.

Here's another take on the design:

Electric rikshaws are a practical city vehicle, small but with large carrying capacity:

I'm not even sure how much taxonomic difference there really is between them and ebike tricycles:

I think the four-wheeled, cargo-hauling, recumbant velov armidillo bicycle cart is especially cool.

We might even see mini-car-like things like the UD MUUV Velocar:

I think the closest fit to modern day vehicles would actually be trucks (albeit often smaller and more utilitarian than many of the giant pickup trucks we have now). But for moving heavy items for the last few miles trucks are a good form factor.

I photobashed some art of one using a streetcar pantograph rig, set up to haul heavy stuff for a library of things:

Full post here: https://jacobcoffinwrites.wordpress.com/2024/01/16/library-economy-heavy-items-delivery-collections/

As for what they would look like - if we didn't need every vehicle to be able to fly down freeways and survive 180-mile-per-hour crashes, they could be much simpler than what we have now. Something along the lines of electric kei trucks, small cabs, large beds, not intended to double as a mini van or daily driver. This article had a kind of cool example: https://slrpnk.net/post/11465754

Another potential truck answer is Woodgas conversions of old Internal Combustion Engine trucks. https://solar.lowtechmagazine.com/2010/01/wood-gas-vehicles-firewood-in-the-fuel-tank/

I think these make sense for rural areas, for specific tasks, by farmers, forest managers, and others whose work takes them impractically far from public transit. Woodgas conversions emphasize reuse of existing machinery instead of new manufacturing. It doesn’t require high-tech electronics like electric vehicles.

These are less practical for the kind of quick trip to the store or daily commute which has shaped our current society. A woodgas vehicle takes awhile to start up, and because the fire needs to burn down, doesn’t make much sense for short trips. They might be used for hauling produce to town, supplies out to forest management camps, research sites, and other remote locations. And perhaps for road trips by campers and other people who might borrow one for awhile. I could also see hobbyists having a lot of fun with them.

The wood could be sustainably sourced, using scraps from sawmills, harvested invasive trees, brush, and even dedicated coppiced plantations of especially fast-growing trees like paulownia elongata. though its important to note that while this can be done well, the last time these vehicles were used in massive numbers (during WWII) they led to deforestation. They make sense in small doses, and with some careful management of their inputs.

One last bit of art - I featured a bunch of big woodgas trucks, smaller electric kei trucks, electric rickshaws, cargo bikes, and a modernized chinese wheelbarrow in this scene of McMansions being deconstructed and the materials salvaged in this photobash:

Full text here: https://jacobcoffinwrites.wordpress.com/2024/05/02/deconstruction-crew-disassembling-abandoned-mcmansions-so-the-material-can-be-reused/

edit to add this goofball bicycle-powered car-sized cargo contraption:

https://www.icebike.org/biggest-cargo-bike/

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A gentleperson in the Discord opined that the world guide lacks definition in its addressing of all the major catastrophes. Specifically, they pointed out that these catastrophes are pivotal, culture-defining events. How we navigate them informs so much of the present. That means that it underserves the game world if they're hand-waved away.

This document is an opportunity to elaborate on how various problems were addressed and what marks they've left on society. Feel free to add your own ideas freely! We can edit for clarity later.

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This is from the solarpunk images collection of pickledtezcat. It was shared with me by @JacobCoffinWrites@slrpnk.net . Here's the description of this piece:

A bit of Afrofuturism with this one. One of the scenarios I'd like to include in my pen and paper RPG project.

I just discovered this artist, but I'm immediately going to reach out and see if they'd like to collaborate on anything RPG related. This is great.

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This is from the Utopic Cities collection by artist aerroscape: https://www.deviantart.com/aerroscape/gallery/91089978/utopistic-cities.

It was shared with me by @JacobCoffinWrites@slrpnk.net . I really love all these. Here is the artist description of this piece:

a back & front cover art commission for Lino Zeddies, an activist for a better world and author from Berlin. In his book UTOPIA 2048 he creates a what-if scenario, where you wake up in the year 2048, realizing how favourably the world has developped after major changes in the financial system have been made. His book is now available in many online stores printed and as e-book.


this is a photo manipulation to about 30%. Sources: altered, licensed and open source web photos, own photographs and google earth images


feel free to share this artwork! you may use the artwork non-commercially, according to the creative commons license (CC BY-NC-SE 4.0)

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This is a Powered By The Apocalypse game meant to run general space western adventures. It offers opportunities for play similar to Star Trek, Firefly, The Expanse, Babylon 5, etc.

First, as a general concept, I dig it. Second, I think the execution is solid. I'm looking through the quick start and the starter adventure, and this looks a lot like what I'd dream for the Fully Automated space expansion to resemble. It's tech level is quite a bit higher, but the structure and the art and everything is really well done.

The attached link is to their Kickstarter for the published edition. It's already been fully backed, but it only has a day left, so if anyone wants any of the rewards, act quick,

Here is a link to the Itch.io page. The game seems to have undergone about four years of development and refinement, and it looks very professional. https://goldenlassogames.itch.io/starscape

The Itch page no longer links to the game, as they've withdrawn the beta versions as they prepare for their official release, but the game docs are still available on the publisher's website through Google Docs:

https://drive.google.com/drive/folders/1xW13wUMX-WWKMuHA7dkjW6S4bzRkE3Fr

I would like to try this some time. And when we get around to a space expansion, I hope I might be able to talk to folks on this developer team, because their tastes are pretty much my tastes.

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cross-posted from: https://slrpnk.net/post/12129345

I’ve been working on writing a campaign(?) adventure module(?) For Fully Automated for the last couple months now. It’s the first piece of solarpunk fiction I’ve written, and it includes almost every setting concept I’ve been playing with in my Postcards from a Solarpunk Future series.

It’s a sort of treasure hunting adventure, where the players are on a quest to find several tons of illegally-dumped industrial waste, which is useful in the production of geopolymers. Through their investigation they’ll explore a mostly-abandoned town which is in the process of being deconstructed and rewilded, talk to locals and work crews, and hopefully unravel a cold-case murder mystery lost to the region’s chaotic past during the setting’s Global Climate War 60 years before.)

Writing this has been really fun - I think partially because I love worldbuilding, so I'm happily writing all the locations and options I can think of, knowing the players will only visit a subset of them.

I’ve gotten far enough along that I think I can start photobashing together some art for some of the locations the players might decide to visit (starting with this bike kitchen in the village where the game begins).

In my postcard about deconstructing McMansions to reclaim the building materials and rewild the land, a few people brought up simply repurposing the buildings. I’d been batting around the concept in my head for awhile before then, but had struggled to figure out how to render a scene that showed everything I wanted it to.

I ended up using pretty much every idea I had for those scenes in the campaign’s starting village (a planned community which has repurposed an abandoned wealth enclave and its golf course as communal housing, workshops, and a food forest. That means I can put together photobashes of specific spots within that village, which I think is more achievable.

So here’s the first of the set. It shows a little bit of a repurposed discount mansion, but focuses mostly on the old back yard. The concrete patio has been removed, the large lawns and nearby golf course have grown into proper forests, and public paths have been brought right up to the house. The pool house has been turned into a bike co-op, and the swimming pool has been converted into a sunken greenhouse or Walipini.

Generally when you end up with an old swimming pool you don’t want, your options are to tear it out and fill in the hole, just fill in the pool, convert it into a natural pond, or (perhaps the least common answer) build one of these. Which one you pick will likely depend on your goals, the quality of the structure, and how far down your water table is. If it’s too high, it can lift an empty pool like a concrete boat, or cause other structural damage. But if circumstances are right, and the pool is intact after being abandoned and empty for a good many years already, it might be worth repurposing.

There are some beautiful and solarpunk photos online of real life versions of these, which have a far grander scale than what I’ve depicted here. This is more like the old pineapple pits, or a fancy version of the citrus trenches. Who knows, maybe they even cut away part of the floor so they could plant into the ground below.

The above-ground portion of the greenhouse is backed with an earthen berm/raised bed meant to help it maintain a consistent temperature. The retaining walls of the tiered bed are made from repruposed, broken-up concrete (sometimes called urbanite), likely sourced from the concert patio which was replaced with wood chips for better water permeability. Some full-shade plants like rhubarb and mint have been planted on the back slope, and a grape arbor has been built over it. Sweet peas are growing along the side where there’s more light. Raspberries and wildflowers grow around the rest of the smaller yard space.

In the background of the scene, an old pool house has been converted into a bike kitchen, one locations where the players will be able to obtain transportation.

A network of paths have been built all throughout the village, the food forest, and the region beyond. Even the town the players will explore is riddled with small trails and paths which the locals have built in lieu of trying to maintain a full network of paved roads. This was inspired by my hometowns' network of backwoods trails, and the downsizing to achieve a maintainable transportation network described in this article. Some roads obviously still exist because they're useful, but others have been washed out and never repaired because none of the current residents need them for anything, while new trails cut straight through properties nobody has lived in for decades.

The buildings are painted with colorful murals. This is always a challenge for me in these photobashes. I love the idea of a society that makes art everywhere for its own sake and I'd hope a solarpunk society would abandon some of the obsession with property values and would decorate everything from buildings to machines, in all kinds of styles. That might mean folk art with historical roots, like the zapista murals, it might mean carved panels on cabinets, or etchings on tools, metal sculpture, or who knows what. Embellishment not for commercial value but as self expression and messaging. So the topics and content would vary a lot.

I think there's a bit of punk in that, in refusing to paint or decorate with an eye on the resale value, like your house is a product for others rather than your own home.

So I try to include murals, carvings, and other decorations in my solarpunk art. Unfortunately I've also found that in my postcards, where the buildings are usually part of a cluttered background, murals can kind of act like dazzle camouflage, making it hard to tell what exactly is happening. So I'm still figuring out what works and what doesn't. (Ideally, I want the contents of the mural to be clear while also allowing for the building and the assorted stuff attached to it (plants, solar panels, other tech) to be easily recognized and understood. It's challenging and something I might revisit someday. I did try a version where the bike kitchen's mural was made out of silhouetted bike parts, but it looked less obviously like a paint job on a building, so I went with the mandala for clarity for now.

Overall I think this'll work for now, and get us closer to a playable version, though I am still messing with it, looking for something that'll hit that adventure story vibe visually. I'm going much more line-art-and-flat-colors for the character portraits, so we'll see if that works here.

20
 
 

cross-posted from: https://slrpnk.net/post/12129345

I’ve been working on writing a campaign(?) adventure module(?) For Fully Automated for the last couple months now. It’s the first piece of solarpunk fiction I’ve written, and it includes almost every setting concept I’ve been playing with in my Postcards from a Solarpunk Future series.

It’s a sort of treasure hunting adventure, where the players are on a quest to find several tons of illegally-dumped industrial waste, which is useful in the production of geopolymers. Through their investigation they’ll explore a mostly-abandoned town which is in the process of being deconstructed and rewilded, talk to locals and work crews, and hopefully unravel a cold-case murder mystery lost to the region’s chaotic past during the setting’s Global Climate War 60 years before.)

Writing this has been really fun - I think partially because I love worldbuilding, so I'm happily writing all the locations and options I can think of, knowing the players will only visit a subset of them.

I’ve gotten far enough along that I think I can start photobashing together some art for some of the locations the players might decide to visit (starting with this bike kitchen in the village where the game begins).

In my postcard about deconstructing McMansions to reclaim the building materials and rewild the land, a few people brought up simply repurposing the buildings. I’d been batting around the concept in my head for awhile before then, but had struggled to figure out how to render a scene that showed everything I wanted it to.

I ended up using pretty much every idea I had for those scenes in the campaign’s starting village (a planned community which has repurposed an abandoned wealth enclave and its golf course as communal housing, workshops, and a food forest. That means I can put together photobashes of specific spots within that village, which I think is more achievable.

So here’s the first of the set. It shows a little bit of a repurposed discount mansion, but focuses mostly on the old back yard. The concrete patio has been removed, the large lawns and nearby golf course have grown into proper forests, and public paths have been brought right up to the house. The pool house has been turned into a bike co-op, and the swimming pool has been converted into a sunken greenhouse or Walipini.

Generally when you end up with an old swimming pool you don’t want, your options are to tear it out and fill in the hole, just fill in the pool, convert it into a natural pond, or (perhaps the least common answer) build one of these. Which one you pick will likely depend on your goals, the quality of the structure, and how far down your water table is. If it’s too high, it can lift an empty pool like a concrete boat, or cause other structural damage. But if circumstances are right, and the pool is intact after being abandoned and empty for a good many years already, it might be worth repurposing.

There are some beautiful and solarpunk photos online of real life versions of these, which have a far grander scale than what I’ve depicted here. This is more like the old pineapple pits, or a fancy version of the citrus trenches. Who knows, maybe they even cut away part of the floor so they could plant into the ground below.

The above-ground portion of the greenhouse is backed with an earthen berm/raised bed meant to help it maintain a consistent temperature. The retaining walls of the tiered bed are made from repruposed, broken-up concrete (sometimes called urbanite), likely sourced from the concert patio which was replaced with wood chips for better water permeability. Some full-shade plants like rhubarb and mint have been planted on the back slope, and a grape arbor has been built over it. Sweet peas are growing along the side where there’s more light. Raspberries and wildflowers grow around the rest of the smaller yard space.

In the background of the scene, an old pool house has been converted into a bike kitchen, one locations where the players will be able to obtain transportation.

A network of paths have been built all throughout the village, the food forest, and the region beyond. Even the town the players will explore is riddled with small trails and paths which the locals have built in lieu of trying to maintain a full network of paved roads. This was inspired by my hometowns' network of backwoods trails, and the downsizing to achieve a maintainable transportation network described in this article. Some roads obviously still exist because they're useful, but others have been washed out and never repaired because none of the current residents need them for anything, while new trails cut straight through properties nobody has lived in for decades.

The buildings are painted with colorful murals. This is always a challenge for me in these photobashes. I love the idea of a society that makes art everywhere for its own sake and I'd hope a solarpunk society would abandon some of the obsession with property values and would decorate everything from buildings to machines, in all kinds of styles. That might mean folk art with historical roots, like the zapista murals, it might mean carved panels on cabinets, or etchings on tools, metal sculpture, or who knows what. Embellishment not for commercial value but as self expression and messaging. So the topics and content would vary a lot.

I think there's a bit of punk in that, in refusing to paint or decorate with an eye on the resale value, like your house is a product for others rather than your own home.

So I try to include murals, carvings, and other decorations in my solarpunk art. Unfortunately I've also found that in my postcards, where the buildings are usually part of a cluttered background, murals can kind of act like dazzle camouflage, making it hard to tell what exactly is happening. So I'm still figuring out what works and what doesn't. (Ideally, I want the contents of the mural to be clear while also allowing for the building and the assorted stuff attached to it (plants, solar panels, other tech) to be easily recognized and understood. It's challenging and something I might revisit someday. I did try a version where the bike kitchen's mural was made out of silhouetted bike parts, but it looked less obviously like a paint job on a building, so I went with the mandala for clarity for now.

Overall I think this'll work for now, and get us closer to a playable version, though I am still messing with it, looking for something that'll hit that adventure story vibe visually. I'm going much more line-art-and-flat-colors for the character portraits, so we'll see if that works here.

21
 
 

Just sharing / saving some dope mural art.

22
 
 

The Fully Automated rulebook has some cool ideas on housing. I think this article has nice examples and discussions around features of successful apartment buildings/neighborhoods, including the vertical rather than horizontal stratification, which might be worth considering in solarpunk worldbuilding.

cross-posted from: https://slrpnk.net/post/11940937

Pocket link

23
 
 

I just finished "Four Futures: Life After Capitalism" by Peter Frase. I'd meant to read this for a long time, but just got around to it. I wish I'd read it sooner. It's great!

https://www.goodreads.com/book/show/22551901-four-futures

I was familiar with the general premise, as it's an expansion on an article Frase wrote for Jacobin in 2011 by the same name.

Has anyone else read this?

24
 
 

I've had an idea bouncing around that I haven't been able to form into a sentence, and I'm looking for help.

I feel like within Fully Automated there is a particular recurring concept in the application of science and medicine and engineering that is thematically tied to solarpunk philosophy, but it's one I can't quite describe.

One example is the use of medical putty to close wounds, and how it is incredibly physical, and messy, and interpersonal. And this is meant to resembles the way that rejuvenation typically looks is in the biological world. This is kind of a distinct alternative to things like a "hypospray" in Star Trek: their healing is very abstract. Whatever problem a patient has, it's not visible, and it's cure barely engages with them physically. It almost resembles prayer in its degree of clean disengagement from the problem.

None of us were born into the world packaged like an iPhone and shoved through an interdimensional mail slot. We grew from cells inside of a human body that sustained us, and then got shoved out of it covered in mucus. Hurray!

I feel like this theme is repeated in a lot of technologies: from the idea of building things out of layers of resins or other composites as opposed to just stacking a bunch of bricks to the fact that going into cyberspace still requires you to feed light into your optic nerves and vibrate your tympanic membrane instead of just shoving a magic jellybean into the characters' brains and declaring that they're all permanently connected to WiFi now.

But I don't really know how to tie all of that into a sentence that explains the principle or concept that these are examples of. Does this make sense to anyone else? Possibly in a way that they can describe?

25
 
 

Now that the game and adventure modules are out, we'd like more reviews in order to get taken more seriously when we reach out to professionals for blurbs and reviews.

The game is free, so all you have to do is make an account on DriveThruRPG if you don't have one, download the books, and after 24 hours if you go back to the product page, you can leave feedback.

All honest reviews are appreciated! You also don't have to read the whole thing to have an opinion. skim and report what you think.

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