this post was submitted on 21 Mar 2024
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There's a line of criticism on Heinlein's work that tries to defang the unsavory themes in his stories by pretty much declaring them all satire. Fascist themes in Starship Troopers? Satire. Racist themes in Farnham’s Freehold? Fourth-dimensional chess level satire, you can see it if you look real carefully. Incest in To Sail Beyond the Sunset? A big joke!
And maybe it's true? He definitely became more libertarian over time -- but he was a professional writer, so his output is bound to be a combination of what he believed and what he thought would sell. Personally, I have no idea what the mix is. Would be nice if the people who enjoyed his stories didn't also feel obligated to puff up his moral bone fides though. So much bending over backwards isn't really good for a person.
I'm a big proponent of the "death of the author". Even if the author is still around to give their reasons for writing something the way they did, it doesn't really matter. All that matters is what the audience sees in the work.
Every interpretation is equally valid as long as they're sincere. The drapes were blue. The drapes represent depression. The drapes represent Democrats. The only invalid deconstruction is one delivered in bad faith.
Edit: typo
I hate death of the author because it destroys art as a form of communication. You end up with Orwellian art: Whoever controls the present narative, controls the past.
I can imagine a fascist future where Guernica is taught as a pro-Nazi work of art.
And even more importantly is that people are gonna "teach" the making of art how they teach it regardless, but the teacher experiencing it one way doesn't make any of the other readings invalid.