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Narcissus is a painting by the Italian Baroque master Caravaggio, painted circa 1597–1599. It is housed in the Galleria Nazionale d'Arte Antica in Rome.

The painting was originally attributed to Caravaggio by Roberto Longhi in 1916. This is one of only two known Caravaggios on a theme from Classical mythology, although this is due more to the accidents of survival than the artist's oeuvre. Narcissus, according to the poet Ovid in his Metamorphoses, is a handsome youth who falls in love with his own reflection. Unable to tear himself away, he dies of his passion, and even as he crosses the Styx continues to gaze at his reflection (Metamorphoses 3:339–510).

https://en.wikipedia.org/wiki/Narcissus_(Caravaggio)

Still Life with Fruit on a Stone Ledge is a painting attributed to the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610).

The picture has been variously dated between 1601 and 1610 (Caravaggio scholar John T. Spike lists the date as circa 1603 in the second revised edition of his study of the artist). It depicts a wicker basket heaped with various fruit and vegetables sitting on a stone table, caught in Caravaggio's usual strong yet mellow shaft of light falling from top left, "as if through a hole in the ceiling." (Caravaggio at around this time was sued by a landlady for having cut a hole in the ceiling of the rooms he rented, presumably to create his characteristic lighting). The bulk of the space is taken up by the large melons, marrows and pumpkins, the watermelon and pumpkin cut open to display the interior, the marrows, long and twisting, seeming to wish to escape the two-dimensional space of the picture plane.

https://en.wikipedia.org/wiki/Still_Life_with_Fruit_(Caravaggio)

Portrait of a Young Man is an oil on panel painting by Parmigianino, executed c. 1530, now in the Uffizi in Florence, whose collection it entered on 27 October 1682. Three copies survive in the Museo di Capodimonte (n. 201), Rome's Accademia di San Luca and the Galleria nazionale di Parma (n. 313, inscribed with the date "MDXX", which is probably also the date of the Uffizi work).

https://en.wikipedia.org/wiki/Portrait_of_a_Man_(Parmigianino)

Odilon Redon (20 April 1840 – 6 July 1916) was a French Symbolist artist.

Redon is perhaps best known today for the dreamlike paintings created in the first decade of the 20th century, which were inspired by Japanese art and leaned toward abstraction. His work is considered a precursor to Surrealism.

https://en.wikipedia.org/wiki/Odilon_Redon

Albert Jean Gorin (2 December 1899 – 29 March 1981) was a French neoplastic painter and constructive sculptor. He was a disciple of Piet Mondrian, and remained true to the concept of rigid geometricism and use of primary colors, but pushed the limits of neoplasticism by introducing circles and diagonals. He was known for his three-dimensional reliefs.

https://en.wikipedia.org/wiki/Jean_Gorin

Saturn Devouring His Son is a painting by Spanish artist Francisco Goya. It is traditionally considered a depiction of the Greek myth of the Titan Cronus, whom the Romans called Saturn, eating one of his children out of fear of a prophecy by Gaea that one of his children would overthrow him.

The work is one of the 14 so-called Black Paintings that Goya painted directly on the walls of his house sometime between 1820 and 1823. It was transferred to canvas after Goya's death and is now in the Museo del Prado in Madrid.

https://en.wikipedia.org/wiki/Saturn_Devouring_His_Son

Black Woman with Peonies is a painting by Frédéric Bazille, produced in late spring 1870, a few months before the outbreak of the Franco-Prussian War which would claim his life. It has been in the Musée Fabre, in Montpellier, since 1918. It is an oil on canvas and its dimensions are 60.3 cm (23.7 in) × 75.2 cm (29.6 in).

https://en.wikipedia.org/wiki/Black_Woman_with_Peonies

A Bar at the Folies-Bergère (French: Un bar aux Folies Bergère) is a painting by Édouard Manet, considered to be his last major work. It was painted in 1882 and exhibited at the Paris Salon of that year. It depicts a scene in the Folies Bergère nightclub in Paris. The painting originally belonged to the composer Emmanuel Chabrier, a close friend of Manet, and hung over his piano. It is now in the Courtauld Gallery in London.

https://en.wikipedia.org/wiki/A_Bar_at_the_Folies-Berg%C3%A8re

Édouard Manet (23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism.

https://en.wikipedia.org/wiki/%C3%89douard_Manet

Mariano Fortuny y Marsal (June 11, 1838 – November 21, 1874), known more simply as Mariano Fortuny, was the leading Spanish painter of his day, with an international reputation. His brief career encompassed works on a variety of subjects common in the art of the period, including the Romantic fascination with Orientalist themes, historicist genre painting, military painting of Spanish imperial expansion, as well as a prescient loosening of brush-stroke and color.

https://en.wikipedia.org/wiki/Mariano_Fortuny_(painter)

Le génie du mal (or The Genius of Evil or The Spirit of Evil), known informally in English as Lucifer or The Lucifer of Liège is a religious sculpture executed in white marble and installed in 1848 by the Belgian artist Guillaume Geefs. Francophone art historians often refer to the figure as an ange déchu, a "fallen angel".

The sculpture is located in the elaborate pulpit of St. Paul's Cathedral, Liège, and depicts a classically attractive man chained, seated, and nearly nude but for drapery gathered over his thighs, his full length ensconced within a mandorla of bat wings. Geefs' work replaces an earlier sculpture created for the space by his younger brother Joseph Geefs, L'ange du mal, which was removed from the cathedral because of its distracting allure and "unhealthy beauty".

https://en.wikipedia.org/wiki/Le_g%C3%A9nie_du_mal

https://en.wikipedia.org/wiki/Guillaume_Geefs

Cornelius Johnson or Cornelis Janssens van Ceulen (bapt. 14 October 1593 – bur. 5 August 1661) was an English painter of portraits of Dutch or Flemish parentage. He was active in England, from at least 1618 to 1643, when he moved to Middelburg in the Netherlands to escape the English Civil War. Between 1646 and 1652 he lived in Amsterdam, before settling in Utrecht, where he died.

https://en.wikipedia.org/wiki/Cornelius_Johnson_(artist)

Mr and Mrs Andrews is an oil on canvas portrait of about 1750 by Thomas Gainsborough, now in the National Gallery, London. Today it is one of his most famous works, but it remained in the family of the sitters until 1960 and was very little known before it appeared in an exhibition in Ipswich in 1927, after which it was regularly requested for other exhibitions in Britain and abroad, and praised by critics for its charm and freshness. By the post-war years its iconic status was established, and it was one of four paintings chosen to represent British art in an exhibition in Paris celebrating the Coronation of Queen Elizabeth II in 1953. Soon the painting began to receive hostile scrutiny as a paradigm of the paternalist and capitalist society of 18th-century England, but it remains a firm popular favourite.

https://en.wikipedia.org/wiki/Mr_and_Mrs_Andrews

Alan Aldridge (8 July 1938 – 17 February 2017) was a British artist, graphic designer and illustrator. He is best known for his psychedelic artwork made for books and record covers by The Beatles and The Who.

https://en.wikipedia.org/wiki/Alan_Aldridge

Landscape with Charon Crossing the Styx is an oil on wood painting by the Flemish Northern Renaissance artist Joachim Patinir. Dating to c. 1515–1524, it is now in the Museo del Prado, in Madrid.

Landscape with Charon Crossing Styx fits into common Northern Renaissance and early Mannerist trends of art. The 16th century witnessed a new era for painting in Germany and the Netherlands that combined influences from local traditions and foreign influences. Many artists, including Patinir, traveled to Italy to study and these travels provided new ideas, particularly concerning representations of the natural world. Patinir's religious subjects, therefore, incorporate precise observation and naturalism with fantastic landscapes inspired by the northern traditions of Bosch.

https://en.wikipedia.org/wiki/Landscape_with_Charon_Crossing_the_Styx

The Garden of Earthly Delights is the modern title given to a triptych oil painting on oak panel painted by the Early Netherlandish master Hieronymus Bosch, between 1490 and 1510, when Bosch was between 40 and 60 years old. It has been housed in the Museo del Prado in Madrid, Spain since 1939.

https://en.wikipedia.org/wiki/The_Garden_of_Earthly_Delights

Hans Hofmann (March 21, 1880 – February 17, 1966) was a German-born American painter, renowned as both an artist and teacher. His career spanned two generations and two continents, and is considered to have both preceded and influenced Abstract Expressionism.

Born and educated near Munich, he was active in the early twentieth-century European avant-garde and brought a deep understanding and synthesis of Symbolism, Neo-impressionism, Fauvism, and Cubism when he emigrated to the United States in 1932. His works are in the permanent collections of major museums around the world, including the Metropolitan Museum of Art, Tate Modern, Germanisches Nationalmuseum, National Gallery of Art, and Art Institute of Chicago.

https://en.wikipedia.org/wiki/Hans_Hofmann

Paul Jackson Pollock (January 28, 1912 – August 11, 1956) was an American painter. A major figure in the abstract expressionist movement, Pollock was widely noticed for his "drip technique" of pouring or splashing liquid household paint onto a horizontal surface, enabling him to view and paint his canvases from all angles. It was called all-over painting and action painting, since he covered the entire canvas and used the force of his whole body to paint, often in a frenetic dancing style. This extreme form of abstraction divided critics: some praised the immediacy of the creation, while others derided the random effects.

https://en.wikipedia.org/wiki/Jackson_Pollock

https://www.jackson-pollock.org/moby-dick.jsp

Morgan Russell (January 25, 1886 – May 29, 1953) was a modern American artist. With Stanton Macdonald-Wright, he was the founder of Synchromism, a provocative style of abstract painting that dates from 1912 to the 1920s. Russell's "synchromies," which analogized color to music, were an early American contribution to the rise of Modernism.

https://en.wikipedia.org/wiki/Morgan_Russell

The Lady with an Ermine is a portrait painting by the Italian Renaissance artist Leonardo da Vinci. Dated to c. 1489–1491, the work is painted in oils on a panel of walnut wood. Its subject is Cecilia Gallerani, a mistress of Ludovico Sforza ("Il Moro"), Duke of Milan; Leonardo was painter to the Sforza court in Milan at the time of its execution. It is the second of only four surviving portraits of women painted by Leonardo, the others being Ginevra de' Benci, La Belle Ferronnière and the Mona Lisa.

https://en.wikipedia.org/wiki/Lady_with_an_Ermine

Oil on gesso panel

Samira Abbassy (born 1965) is an Iranian-born British painter and draftsperson, of Arab heritage. Her work address issues of mythology, female deities, psyche, memory, and the diaspora. Abbassy lives in New York City, and previously lived in London.

https://en.wikipedia.org/wiki/Samira_Abbassy

Throughout paintings, works on paper, ceramics, and site-specific mural and sound installations, Michaela Yearwood-Dan (b. 1994; London, UK) endeavors to build spaces of queer community, abundance, and joy. Yearwood-Dan’s singular visual language draws on a diverse range of influences, including Blackness, queerness, femininity, healing rituals, and carnival culture.

https://michaelayearwood-dan.com/new-page

and

https://www.flaunt.com/post/michaela-yearwood-dan-the-cocoon-issue

Adelaide Nathalie Marie Hedwig Philippine d'Affry, Duchess of Castiglione Colonna, known as Marcello, (6 July 1836 – 14 July 1879) was a Swiss artist and sculptor.

Bronze, 9 feet 6 inches tall.

https://en.wikipedia.org/wiki/Ad%C3%A8le_d%27Affry

Madame Moitessier is a portrait of Marie-Clotilde-Inès Moitessier (née de Foucauld) begun in 1844 and completed in 1856 by Jean-Auguste-Dominique Ingres. The portrait, which depicts Madame Moitessier seated, is now in the collection of the National Gallery in London, which acquired it in 1936.

https://en.wikipedia.org/wiki/Portrait_of_Madame_Moitessier